Week 3 Update

Over the past two weeks, I’ve been filling out consent forms and formulating research questions. This week has been pretty busy so I still have a few things I need to tweak, but I’m very close. When I’m finished (tonight or tomorrow?) I could use another set of eyes to make sure everything looks right. My […]

Over the past two weeks, I’ve been filling out consent forms and formulating research questions. This week has been pretty busy so I still have a few things I need to tweak, but I’m very close. When I’m finished (tonight or tomorrow?) I could use another set of eyes to make sure everything looks right. My goal for this coming week is to ask a few professors and students if they are willing to participate in this study/be interviewed. The general plan is to interview everyone twice: an initial interview before JazzFest (Feb. 27) regarding the history of the festival, what this festival has done for Truman/Kirksville/the greater Midwest educational community (some middle and high school bands take part in JazzFest), his or her experiences/involvement with it, how he or she is involved in JazzFest 48, etc. Then, I would like to have a follow-up interview after JazzFest 48 and have them reflect on this year’s event specifically. (More detail included in the consent form) I’ve been playing around with my WordPress site and am still having a little trouble figuring out how to have and post on multiple pages (like our main Festivals website). I figured out how to create a separate page (“Blog Posts”), but every time I “create a new post” in that page, it is published on my homepage. Not a big deal since I can still do everything I need to, but it would be nice on an aesthetic and organizational level. (Sometimes I wonder if I’m actually an 80 year-old man in terms of my relationship with technology…)

People Watching from a Corner Booth

Sunday, 7 February 2016, 12:20-1:20pm. King’s Chinese Buffet. Kirksville doesn’t have a lot going on when it’s cold out, so it was hard to think of something that would work well for this assignment. Then I remembered, regardless of the season, restaurants are always packed at lunch, and there is no better restaurant to observe […]

Sunday, 7 February 2016, 12:20-1:20pm. King’s Chinese Buffet. Kirksville doesn’t have a lot going on when it’s cold out, so it was hard to think of something that would work well for this assignment. Then I remembered, regardless of the season, restaurants are always packed at lunch, and there is no better restaurant to observe social interaction than a Chinese buffet. King’s Chinese Buffet (King’s) is fairly average in terms of size, atmosphere, and popularity. Though the decision to go during the lunchtime rush was deliberate, I was pleasantly surprised to realize that I was showing up during the after-church lunchtime rush. This meant that there were a lot of larger groups of people, friendly stop-and-chats, and much more opportunities to observe the unwritten rules of buffets. Like any dine-in restaurant, the first thing that happens upon walking through the door is telling the maître-d’ how many people are in your party. For me, this was easy; I said, “just one” and he showed me to my table (I requested a table where I could clearly see the buffet and other tables as politely as I could). For larger groups, this takes a little longer, the largest groups sometimes having to wait by the door to be seated. In general, every place of business in Kirksville has the same three types of people: college students (younger people), locals (middle age-elderly people), and employees (mixed). King’s was no different, but, as previously mentioned, there was definitely a preponderance of locals who appeared to have just come from church—I say this because so many people were dressed up to some extent. What’s more, I noticed several friendly stop-and-chats (e.g. “Carol! It’s so good to see you. How are the kids?”). While this is not uncommon in a small town like Kirksville, this never seems to happen so frequently in one place, another reason why I suspect King’s must be an after-church hot spot. The average table size was between 3-6 people (there were, of course, outliers like me and a group of about a dozen or so people, as well as a few couples). Large groups tended to speak much louder, while smaller groups rarely spoke louder than a whisper, with the exception of the couple sitting in front of me, who were unabashedly loud. Smaller groups (2-4 people) always waited until everyone was finished to get another plate, a sort of gesture of social politeness. It was much more common for one or two people to break off for more food in larger groups, probably because this is less disrupting to the group as a whole. The most interesting and complex part is the process of actually getting food. At King’s, at least with such a large crowd, there seemed to be an unwritten/understood rule that you must go around the buffets in a line (kids, however, were free to jump around wherever they wanted). I respected this ritual for my first plate, but challenged it on my second. After grabbing a new plate and surveying the area, I jumped into an open spot next to a middle-aged woman who was busy filling up her plate. Without actually saying anything, she flashed me a brief look that accused me of “cutting” in line (what’s funny is, she didn’t even want anything else from that part of the buffet). Having said that, occasionally, people would go back to a certain item after an initial pass. When doing this, instead of simply swooping in, they will stand behind you to politely indicate they are waiting for you to finish. (While I wouldn’t say people are “rude,” per se, this very structured line system and rules of politeness are not as common in bigger cities like St. Louis—there, it’s much more of a free-for-all.) Finally, I took note of the waiter and waitresses’ patterns of cleaning off tables and the non-verbal signs of communication. For instance, an empty plate (without a fork or napkin) at the end of the table signals you are finished, but going back for more food. What’s more, the plate will not be picked up until you leave for your next plate. By the time you get back to the table, the plate is gone and your drink is refilled like magic. Most importantly is the location of your fork when the plate is picked up—keeping it on a napkin signals you are planning to eat more, when it is on the plate (usually with a used-up napkin), this signals, “check please!”   1) What are the strengths and weaknesses of this method of observation? How have you experienced these strengths and weaknesses in regard to this particular setting?
 The non-obtrusive nature of this method made it easy to make objective observations and allowed me to see things I may not have normally noticed. On the other hand, doing this assignment in this particular setting made me feel self-conscious and a little creepy. During my observations, it was hard to look like I was just eating food and not trying to spy on the entire restaurant; this tended to get in the way of thinking critically about what I was seeing during the first 30 minutes or so. 2) What strengths and weaknesses do you possess for conducting this kind of research in this type of setting? I think I have developed a keen eye for observation and the ability to think critically in the moment. On the other hand, the self-conscious feeling I mentioned was undoubtedly my biggest weakness and challenge. 3) What ethical problems, if any, do you sense in doing this kind of research in this kind of setting? In certain settings, this type of research may easily be considered an invasion of privacy depending on what information was gathered and how it was presented. However, in most situations, like King’s, this seems like a pretty harmless method of research. 4) If you were to do this exercise again, how would you improve your approach? Though King’s ended up working really well for this assignment, I found it hard to simply blend in. If I were to do this exercise again, I would choose something where I could be an active participant, at least to the extent that I don’t feel quite as creepy. Looking ahead, I’m confident that I will be more comfortable making these types of observations during JazzFest, given that I will also be an audience member.

A night at the bowling alley

Village Bowl is the last remaining bowling alley in town.  The alley has been open over 60 years.  The building is rather small and has 16 lanes.  There is a snack bar and a small arcade with video games.  This is league night and the house is full.  Most week days there a bowling leagues […]

Village Bowl is the last remaining bowling alley in town.  The alley has been open over 60 years.  The building is rather small and has 16 lanes.  There is a snack bar and a small arcade with video games.  This is league night and the house is full.  Most week days there a bowling leagues and the house is packed to over flowing. The participants range from old to young.  From experience to new bowlers.  The range of attire is vast.  From polo shirts and slacks to baggy shorts.  There are a few teams that take this very serious.  They even have matching bowling shirts.  The more experience bowlers seem to walk with an air of confidence.  Balls are on the counter being cleaned and polished. As the games begin you begin to see the many personalities come to life.  Some are quiet and reserved when they do good or bad.  Others are very animated, weather it is a good shot or bad.  Many are drinking and just plain having fun.  Others are very serious and to the point.  For some they only interact with those on their lanes.  While others walk lane to lane and have fun. 

 

 

 

FIELD NOTES

On Feb 9th I visited the Village Bowling Alley.  I spent 1 hour watching and observing. This was a league night and the Alley was full.  There are 16 lanes with 4 people to a lane.  So there were 64 people in the league and at least another 20 watching. When I first arrived people had just started to show up. One of the first thing one noticed it the variety in age and class.  There are people ranging from 24 to 79. There are bowlers ranging from 100 avg to 225 avg. Everyone is friendly and talking and having fun. As you look around you can see the many rituals being performed in preparation for the league. Many have bags full of balls while many others have lockers and their balls stay at the ally. There are many styles of dress.  The older bowlers seem to be dressed in collars and slacks or jeans. The younger bowlers are wearing baggy shorts and lose t-shirts. Many are just getting off work and are rushing to the snack bar for dinner. As the games start you begin to see the different rituals among bowlers. Some just grab the ball and throw.  Some are very deliberate in their approach and throw For many this is a just a chance to hang out with friends and drink beer. As you walk up and down the lanes the scene changes from lane to lane.  On one a man is real upset because his game is not going as he thought it should.  He is storming around and mad at himself.  The thing is he just bowled a 200 game but is upset. On the lane next to him is a girl that is super excited.  She just bowled a 123. One thing you learn is that each person has an idea as to what they should bowl.  Bowling is really a game of competing with one’s self and this becomes very evident.  One of the rituals between bowlers is when every someone bowls a strike or spare everyone slaps their hands and says good job. But if you listen close you can hear someone say man I wish he would miss just once. The hierarchies are played out in the tenth frame.  As the games come to an end the better bowlers are expect to come through for their teams.  A NIGHT AT THE BOWLING ALLEY The strengths of this kind of observation are that people tend to be more them self’s if they are not aware they are being watched.  To me the weakness is the lack of connection.  I am a people person and like to be part of the action.  You do tend to get more true information and can see people at their natural state.  At the same time being apart from the action you also lose the intimacy of the moment. This method of observation was a little hard for me at first.  I had at first tried another location and did not get the information I needed.  I felt out of touch with the scene and could not connect.  When I switch to the bowling alley I had much better results.  I went on a night when I was not bowling and could just set back and watch.  I still knew some of the people there but was left to watch and learn.  I bowl in a league on another night and have been for several years.  It was fascinating watching all the different actions instead of being part of it. In doing this kind of research I do not really see any ethical issue.  As an observer you are just taking notes of the actions you see.  You are not taking names and naming people and the things they are doing.  You are just a bystander and recording what you see. If doing this research included taking pictures and finding out names, then posting those without consent.  Then I would see and ethical issue.  As this research did not include that information I believe it is fine. The data I gathered on this observation was tremendous. I was able to see the scene in a different way than I have before.  I did try a different location first and was not able to get much information.  This may have been because I was disconnected form the location.  I myself felt out of place.  With the bowling alley I felt at home.  I could move around at the bowling alley and no one really thought anything of it.  At the previous location I was seen as an outsider.  People tended to avoid me and made observing very difficult.  If tasked to do this assignment again I would approach it a little differently.  I believe I would look more at the underlying scene.   This my first attempt at such research and I was not sure of just what to look for.  Now that I have completed this assignment I can see where I could have changed my approach.  I would try a different location and try to connect.  Or if I stayed at the same location I would attempt to look deeper into the actions.  I would try to get into the heads of the participants and what they were thinking more. 

300 Best Festivals for 2016

Saw this in my Facebook feed today, thought I’d post here for reference. Looks like this is an international compilation, which makes for interesting study. Thoughts, anyone? 300 Best Festivals for 2016

Saw this in my Facebook feed today, thought I’d post here for reference. Looks like this is an international compilation, which makes for interesting study. Thoughts, anyone? hero_astral_harvest_phi_vernon_third_eye_arts 300 Best Festivals for 2016

Texas Ranch Roundup

Considering the idea of highlighting a culture that members of a community wish to preserve, I am looking at the Texas Ranch Roundup as a subject for my project.  This is a highly celebrated event here in “the Falls” each year, and hosts many events surrounding the cattle ranch competition to highlight many aspects of […]

Considering the idea of highlighting a culture that members of a community wish to preserve, I am looking at the Texas Ranch Roundup as a subject for my project.  This is a highly celebrated event here in “the Falls” each year, and hosts many events surrounding the cattle ranch competition to highlight many aspects of the ranching way of life – from fun kids’ activities to arts and crafts, chuck wagon cooking, and a well-attended church service.

    The roundup is a well established event, though not as old as I was searching for  – established in 1981.  The roundup website claims that events around the country have “followed in the footsteps” of their original event: “It all started here… we are the Original Ranch Rodeo… celebrating 35 years of showcasing historic ranches, the hard work of true cowboys and every facet of ranch life.”  (http://texasranchroundup.com/#)

TXRRup
The official logo from the Buzz radio website (http://1063thebuzz.com/events-wichita-falls/the-original-texas-ranch-roundup/15-august-2014-kay-yeager-coliseum/)
The event’s official logo definitely expresses the ideal of the tough, hard-working ranch hand.  The larger than life image of the ranch hand holding a brand in one hand and a lasso in the other evokes Texas pride, entrepreneurial spirit, economical capitalism, and the ideal of a simpler form of life.

Ethnography Assignment: The Flamingo

I spent an hour an a half on Friday night (Feb. 5th, 2016, from 10:00 to 11:30pm) on the dance floor at the Flamingo Resort, a spot widely known by locals as what it used to be — the spot where celebrities like Jayne Mansfield frequented. The resort is hard to miss: it’s marked by […]

flamingoI spent an hour an a half on Friday night (Feb. 5th, 2016, from 10:00 to 11:30pm) on the dance floor at the Flamingo Resort, a spot widely known by locals as what it used to be — the spot where celebrities like Jayne Mansfield frequented. The resort is hard to miss: it’s marked by a pink, neon tower on Santa Rosa’s 4th street, so out-of-style that it’s charming. Before shaking my tail feathers at the Flamingo, I asked my co-workers what they knew about the place. I got several stories that pointed to the same idea: the Flamingo Resort represents the remnants of old-fashioned celebrity glam. But now “it’s behind a Safeway” — the glamour mostly lost. But the Flamingo is legendary and known by all locals. So Friday, I decided to step out of my comfort zone and go old-school Santa Rosa, trying to see the city for what it once was.

The Santa Rosa Time Machine

Like a proper, old-fashioned resort, the Flamingo plays live music Friday nights by a band called SugarFoot, self-identified as a R&B, Rock, and Funk band. I was told going vintage was my best way to fit in there: my 70s disco dress would not be a costume at the Flamingo. This was no joke. The six-piece band played what seemed to be all Blues Brothers, music dated to the time period of my dress. The snug space held over a hundred fifty people. The 2-person tables were all taken. The bar overflowed with patrons, and the dance floor was alive with couples roughly between ages 40 and 65. The Flamingo may have seen better days, but it certainly wasn’t dead; it just knew its demographic. The dance style varied. Almost all of the dancers were couples, and the singles (of which, I only spotted two or three) were younger, supercharged, and electrically drunk, totally unaware of their surroundings as they gyrated wildly and alone. I was thankful to have brought my (mindfully silent and unobtrusive) boyfriend, also dressed in 70s attire, to help me blend in. The older couples chose to dance swing, employing toe-tapper moves that involved a sort-of rooster walk and finger wave that I have never seen. When the band took breaks, thumping modern music would play with dramatic bass drops. Then, most of the dance floor cleared, save for a few daring elderly couples who hilariously continued to dance swing, but with jerky steps to match the beat. I wasn’t able to pick up much conversation, but little conversation appeared to happen. The couples at the tables appeared silent and holding wine (a Sonoma County staple) and gazing off into the brass band, as if their $5 admission price was only for watching the performance. Only one table stood out in a far corner, men looking in their late 30s, wearing casual business attire, passionately communicating to each other with animated arm movements. The youngest attendees, who appeared in their 30s, held beers and watched the dance from the sidelines, seeming to people-watch, likely looking exactly as I was — young and unsure. In only recent years, micro-breweries have popped up all over Sonoma County, likely contributing to the generational divide in beverage choices. Though we live in Wine Country, the elders drink the wine. Despite my best efforts, I was noticed. A confident elderly man put an arm around my date’s shoulder and told him that I was beautiful. A woman in her early 40s, hanging all over her date, broke from his arms to tell us we looked amazing. Who knew 70s could be stylish?

Field Notes

t550x332Location: Flamingo Resort & Hotel. The room had a bar, lounge, stage, and dance floor (picture to the right). The different spaces of the room seemed to house different personalities, though I kept my attention mostly on the dancefloor and those around me observing the dancefloor. Classic, slightly upscale. Polished, yet retro, like a 60s smoke room. Reminds me of the design of our local Gration Casino, trying to appeal to a high-roller demographic, or, more likely, those who would like to see themselves as highrollers. General mood: Confident, happy, bright, cheerful. The night was young. People made fools of themselves on the dance floor. The atmosphere was refreshing, as if to reflect a simpler time. Neighborly feel. Age demographic: Majority of people seemed to age 40 to 65, though there was a few younger. Hierarchy: I would say hierarchy was arranged by age. Those who looked younger than 40, 1) were not seated, and 2) did not dance, and 3) if they were dancing, they seemed self-aware – not with the unapologetic confidence the others had. Number of participants: Upward of 150. Most of the seats taken. Bar overflowing. Dark lighting. I feel like I missed people in the shadows. Class: Middleclass, but I had a sense of wide diversity. The Flamingo did not feel like it was trying to be luxurious or pretentious, but the atmosphere was bold and confident. Everyone felt their best here. While people looked like they dressed up for the event, they dressed for themselves – for a casual, fun night of dancing and relaxation. Race: Dominantly white. The crowd reflected the immediate neighborhood it’s in, near the McDonald historical district, where we find middle to upper middle class. There was a decent number of Latinos, but not reaching accurate representation. According to the 2010 Census, Santa Rosa is composed of 59.7% whites, 2.4% African Americans,  5.2% Asians, and 28.6% Latinos. I spotted only one black man and no Asians (given, I wasn’t thinking at the time I was trying to spot them out), but understandably, they were far in the minority. People profiles:
  • A middle aged, blonde couple stands out as freshly in love. Both attractive people. Upon arriving, the lady runs up to me and says “I love your dress” and “where did you come from?” more than once, not able to comprehend much of anything. She then runs back to her date and throws her arms around him. I’m thinking online date. Or perhaps this is just a second date and they live far away from each other.
  • Old man, white, in his 60s was wagging his finger to the “Apple Bottom Jeans” by Flo Rida during the band’s break. Very strange to see such contemporary music animated by (what looks to me) cute, grandpa-like movements from another time. A younger blonde woman was dancing with him, laughing to herself, perhaps unable to take him seriously. Perhaps he is being the ‘cute grandpa’ to her. I sense a generational compassion from both sides; mixing with the old and the new.
  • Middle aged woman was dancing by herself. She is the opposite of the old man with grandpa moves. She is instead the woman dancing to the classic blues songs with gyrating, sexual, highly-contemporary motions, better fitting for a rave. She looks out of place. A half circle had formed just to watch her dance. A black man has initiated dances with her a couple times. They shimmy at each other and part soon afterward, him taking sweeping, performative strides across the dance floor as if scouting for dance partners.
  • Bachelorette party at the bar. All white, late 20s. Bride-to-be wears a tiara and sash. I didn’t pay much attention to them and don’t have any defining details; just remember them in hindsight.
  • Latino man in his mid-to-late 50s stands alone staring at the band. Sips his drink and stares. Fresh haircut. New sweater. Certainly a story here, but one can only guess.
 

1) Strengths and Weaknesses of Observation

This type of observation is like watching fish from above water: I can see them, but only guess at their shape. In this environment, I could not pick up on real conversation, but the Flamingo is not about words. I felt a 1960s to 1970s Santa Rosa. I saw another time — a divide between generations. But my observations are subjective and filtered entirely through my experience. Every detail I pick and judge, whether consciously or not, despite my best intentions.

2) My own Strengths and Weaknesses to Conduct Research

I have kept a daily journal for most of my life, so accurate observation is a sharpened habit. Several times I have sat at coffee shops and have recorded what others have said, but going to the Flamingo was a challenge since I was left to interpret body language and write my field notes later.

3) What Ethical Problems Are There?

Everything. Every word is an assumption. A dance is just a dance until I am forced to describe exactly how it was. I have to interpret how a crowd behaves and put it to my own best words. To me, as soon as I put words to paper, it is then fiction.

4) How I compare the Quality of the Data to the Past

I once observed a businessman converse with a freelance videographer at a coffee shop. The businessman was displeased with the work he was seeing, and the freelancer was frantically trying to defend himself. Since I was sitting directly next to them at a shared table, I was able to inconspicuously write everything from how they looked to what they said to the kind of laptop they were working from. The quality of data, I could argue, was much better. But ethically, it felt far more intrusive.

5) How I would improve my approach

Going into a room, I would want to scope the room more thoroughly. I should make more accurate observations about the number of people in the room and where they are grouped and migrating. Though I observed age, I didn’t observe race. In an observational assignment where I am not taking notes, I should have a check-list in my mind of how to objectively and distantly characterize those that I see.

Digital Humanities

Drew noted the digital and textual elements of the digital humanities and the enhanced ability to share information. I think that the dissemination of information is pivotal to our ability to continuous grow as a society. As images and symbols become more and more recognizable, we began to streamline and operationalize our information. I’ve been […]

Drew noted the digital and textual elements of the digital humanities and the enhanced ability to share information. I think that the dissemination of information is pivotal to our ability to continuous grow as a society. As images and symbols become more and more recognizable, we began to streamline and operationalize our information. I’ve been mulling over the dichotomy of the coldness of the digital component, or the speed with which one can impersonally spread information, and the warmness and palpable nature of the humanities. I love what Professor Kroll said about the actual reading experience. There is a tactile element that helps connect you to a piece when on pen and paper. That is why I LOVED the knottedline site! It restored what I previously thought was lost on the Digital Humanities, physically manipulatable material.

Still Searching…

Desperately seeking a good idea.  I’ve come up with a few half-ideas, but I’m still trying to find one that excites me adequately to spend time digging into it’s history and cultural appeal.  I have as suggestions:

Waurika Rattlesnake Festival: Could be amusing since I am desperately afraid of snakes, but it is in Oklahoma about 45 minutes north of Wichita Falls.

Ranch Rodeo Round-Up: based on old ranch rivalry competitions vs. modern rodeo events

Golden Harvest Festival: Held in early 19th century.  Started off with a bathing beauty competition at Lake Wichita each year.

Nocona Chisolm Trail Round-Up: Inspires me since my husband and I had our first date at a Chisolm Trail Round-Up in Ft Worth which has been cancelled.

 

Not sure if this is the type of blog expected for this class, but I would take input on these ideas.

I’m also questioning what to call my website since I don’t have a festival selected yet.

Talk to you all soon,

Leanne

The Glendi Festival and Me: Where I Fall

I’ve made up my mind: my research will center on the Glendi Festival in Santa Rosa. This international food festival takes place in my hometown. Put on by St. Seraphim of Sarov Orthodox Church, they serve Eastern European cuisine and provide live Balkan music. Though the festival has existed since 1989 (predating my birth), I […]

I’ve made up my mind: my research will center on the Glendi Festival in Santa Rosa. This international food festival takes place in my hometown. Put on by St. Seraphim of Sarov Orthodox Church, they serve Eastern European cuisine and provide live Balkan music. Though the festival has existed since 1989 (predating my birth), I hadn’t heard of it until just last year. I thought my Eastern European Orthodox heritage was uncelebrated by Sonoma County locals. I was dead wrong. The weekend-long festival has attendance in the thousands, which makes me think — somehow Glendi is creating the magic that makes Eastern European culture worthwhile and relevant. So far I’ve felt little pride in my heritage: my father was raised by two strict, authoritative Ukrainian-immigrant parents. True parties were not a thing, much less presents under a Christmas tree. At church, I would stand for two full hours and listen to Ukrainian chants echo through the elaborate church halls, watching my priest grandfather swing smoke and incense. It was plain to see that I was standing with nobody my own age, listening to a language never taught to me. I didn’t get it — but I sure hope to. Glendi is Greek for party, already shattering the stiff, conservative assumptions from my upbringing. Glendi understands the key ingredients that makes us come together and have a cultural celebration. They know how to establish pride, both for those involved and for onlookers. Through interviews with the church, I hope to become inspired by their love — for people, for food, for tradition, and for their own beliefs and lifestyle. I want to discover what entrances people. Why do they go? In my next blog, I hope to talk about next steps. Right now, this all has manifested as a passion, but it will soon become concrete. It will be a plan.    
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