Questions to Ask

Just posting a few preliminary questions I’m looking to ask individuals involved with my selected festival. I don’t know much about the festival itself, so I’m hoping to learn more from asking general,…

Just posting a few preliminary questions I’m looking to ask individuals involved with my selected festival. I don’t know much about the festival itself, so I’m hoping to learn more from asking general, open-ended questions. Classmates and professors: if you’ve feedback on how I can improve, please comment!!  
  1. What is the purpose of the Silver Scream Festival? How did it begin?
  2. What can you tell me about the festival’s founding fathers, Forrest J Ackerman and James Warren?
  3. What is your role in the festival? How long have you been involved? What does this festival mean to you personally?
  4. Is this the first time the festival has been hosted at the Roxy Theatre in Santa Rosa, CA? If not, how long has it been coming here? What other locations host this particular festival?
  5. What is your favorite thing about the festival?
  6. How do you select your special guests? What is the process for selection like?
  7. How is the festival funded? What kind of support does it receive, remotely and locally?
  8. How many people traditionally attend this festival?
  9. In what ways has the Silver Scream Film Festival influenced and/or impacted the film industry?
  10. What kind of goals does Famous Monsters of Filmland hope to achieve with this festival?
  11. What kind of future does Famous Monsters of Filmland envision for this festival?
  12. Do you have any festival stories, anecdotes, or memories you would like to share?
  For festival goers:  
  1. Is this your first time attending the Silver Scream Film Festival?
  2. What are your reasons/expectations for attending this festival?
  3. What is your favorite part of the festival so far?
  4. What are your favorite films?
  5. Did you submit a particular work to be considered for the festival? What was the process like?
  6. Are there any special guests you hope to meet today?
  7. Would you attend this festival again?
  8. Do you have anything you’d like to share about your experiences here?

Project Contract

Mission Statement The goal of this project is to build a detailed ethnographic exploration of Santa Rosa’s Glendi festival as it relates to Eastern Orthodox culture, both at a local and global level. I will dissect the festival’s complex cultural roots in connection to its location, the Saint Seraphim Eastern Orthodox church. I will conduct research […]

Mission Statement

The goal of this project is to build a detailed ethnographic exploration of Santa Rosa’s Glendi festival as it relates to Eastern Orthodox culture, both at a local and global level. I will dissect the festival’s complex cultural roots in connection to its location, the Saint Seraphim Eastern Orthodox church. I will conduct research starting from a broad cultural view (food traditions and geographical relations in Eastern Europe) to a narrower local view (Eastern European immigration to Sonoma County), and finally, to the festival itself — the tactile and sensual experience of food and dance under the spiritual setting of the church. After pulling together these three levels of research, I will be able to make insightful conclusions based on data rather than try to force conclusions based on preconceived biases. Having been raised in the Orthodox tradition myself, I am personally interested in knowing the potential draw for my current generation and how Glendi may be actively working to keep an old tradition vitalized. My website will thrive on minimalism and easy-to-find information. I like the WordPress theme I am using (Intergalactic) for this purpose. My subjects have already agreed to be on camera, so my plan is to conduct three interviews on camera, splice together a mini-documentary, and have that documentary play in the background as a full-screen header as someone enters the site. A large play button will allow it to play with color and sound (and with captions). In addition to that, I plan to use a timeline tool to outline Glendi’s history in parallel to Sonoma County’s history of Eastern European immigration. The site architecture will be basic. A bibliography of all my research sources will fill one page. On another page, I will have my written research, which will be well designed and broken up with pictures for readability. The page will include a column of downloadable links in PDF, ePUB, MOBI, and MP3, so my research can be totally accessible by anyone. The homepage I hope to make glamorous and less research-intensive: a copy paragraph that describes the festival, an address, and dates & times. This won’t be just a piece of well-written, well-documented ethnographic research; it will be visited by an average person seeking information about the festival.

Project Tools

  • A camera, a lapel mic, lights, editing software, pictures, audio zoom and royalty-free music – For making a documentary. I have filmmaker friends who I plan to utilize as well to help me set up and get the cut together.
  • Royalty-free image sites
  • Timeline JS3 – For creating a timeline of Glendi history as well as Eastern European immigrations and large historical milestones as it relates to their cultural traditions.
  • Yoast SEO Plugin – Needs to be said. Writing metadata is important for site archiving. It’s like the importance of an abstract for a scholarly article.
  • Adobe InDesign – To layout and export my research in a variety of formats. I also have an audio recorder to read aloud my research for an MP3 version.

Milestone Schedule

  • Wednesday, March 9th – Have interview questions IRB approved. Interviews scheduled.
  • Tuesday, March 22nd – All interviews will be wrapped and video in post-production, audio begun transcription
  • Sunday, April 10th – Interviews transcribed as much as required. Timeline will have been built and deployed on site.
  • Sunday, April 17th – Video and transcriptions submitted to festival coordinators for approval.
  • Tuesday, April 19th – Annotated Bibliography posted to site.
  • Thursday, April 21st – Draft of site is built and ready for review.
  • Thursday, May 5th – Website complete with all details promised in the mission statement.

Creating Timelines

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Timeline JS3 is probably the most straightforward, functional, and aesthetically pleasing timeline to use. Others that you may wish to try out are Tiki-Toki and TimeToast. Below is an example of a timeline created in Timeline JS3. From the Timeline JS3 homepage, click on “see our help docs” next to the blue “1” for their tutorial “Making a Timeline from a Google Spreadsheet.” Also remember that you will need to install their timeline plugin into your WP project site: Knight Lab TimelineJS. From the Dashboard –> Plugins –> Search plugins –> install. Then be sure to activate the plugin.

Prospectus

            A recent event in Wichita Falls may have an impact on the environment of the Texas Ranch Round Up in Wichita Falls.  One of the largest ranches in the area, the W.T. Waggoner Ranch, was purchased by an individual who also owns other ranches and professional sports teams in the U.S. and other countries.  […]

  •             A recent event in Wichita Falls may have an impact on the environment of the Texas Ranch Round Up in Wichita Falls.  One of the largest ranches in the area, the W.T. Waggoner Ranch, was purchased by an individual who also owns other ranches and professional sports teams in the U.S. and other countries.  Since the Round Up is limited in participation to only select working cattle ranches in north Texas, it will be interesting to observe whether the change in ownership affects the ranch’s attitude, behavior, or overall participation.Participation in this event includes not only competing in the rodeo events, but also the cultural, art, and family events – even going to church as a “cattle ranching” community.  Even a small change in the make-up of the main competitors could make a change in the atmosphere of the event – or not.  It will be interesting to attempt to discover if this change makes any difference to the competitors or organizers.This event includes many smaller events held under its overarching idea, such as the art and poetry events held each year during the “Round Up.”  This seems to be building an entire tribute to the ranch lifestyle during this weekend of events.  Does Wichita Falls become an extension of ranch life for the weekend?  Do the events assimilate everyone attending into the ranch culture?  How do the participants of the events view the spectators and vice versa?  Since this appears to be an event meant to highlight a singular culture, it will be interesting to examine the expectations and outcomes for participants, organizers, and spectators.  Are those participating wishing to extend the life of the ranch culture or attempting to give “outsiders” a glimpse into their way of life?  Does the charitable aspect of the event affect the participation and expectations? Since the event occurs after the end of the semester, I will be relying on interviews, news stories, and other written observations to attempt to answer these questions.

Week 4 Update: Ethnography Assignment Reflection

Thank you, Cathy Kroll, for writing me detailed feedback for my Ethnography Assignment. This gives me a perfect time to reflect (and a perfect excuse for a blog entry). Rather than becoming more aware of others, I became acutely aware of myself. Ethnographic observation is difficult. It’s real time and fast moving. We are photographers, […]

Thank you, Cathy Kroll, for writing me detailed feedback for my Ethnography Assignment. This gives me a perfect time to reflect (and a perfect excuse for a blog entry). Rather than becoming more aware of others, I became acutely aware of myself. Ethnographic observation is difficult. It’s real time and fast moving. We are photographers, posed to capture the golden moments at a gathering, but those moments — all happening simultaneously — get framed seconds too late, captured too blurry. And while the imperfect moments are still perfect in their own right, I could have observed it better. That’s why I fell so heavily into my own training and mode of thinking at the Flamingo. I observed age since age is what made me the fish-out-of-water. I gravitated toward the dance floor rather than the bar or the tables. I made no mental notes about the band; their clothes, their movements and their use of space were invisible to me. Yet the singles (those who were not blending) caught my attention. My own cognitive biases glared at me when I sat to write. Dr. Kroll’s feedback helped me see that I can leave these insecurities behind. Rather, I should suspend my fear of tarnishing objectivity and take my observations further — explore the why. I need to ask questions and pose answers about my subjects’ motivations. I only started at observation; I didn’t analyze. Despite those shortcomings, my assignment was a success. But I know it wouldn’t have been as much of a success if I had walked in with no previous experience. Just about the entirety of my job experience fed into my finished Ethnographic Assignment.

My previous training:

  • Before I was a literature MA student, I was a creative writing student at SFSU, focusing in creative nonfiction. Surprise?
  • After I received my BA in creative writing, I worked as a blogger for a software marketing company in Silicon Valley. There, I learned that (readable) blogs need…
    • Lists
    • Frequent headers
    • Short-short paragraphs …All of this I use in this blog.
  • When I chose to move back to Santa Rosa, I began a career in web development, where I met amazing designers who taught me how to find great royalty-free photography (hence, these spectacular header images).
I feel that, without my experiences leading up to this point, my trip to the Flamingo would have turned into a drastically different piece, despite our reading. That’s the scary part of this work. And that’s where I am determined to break out of my mold and grow.

Prospectus of Project

Firstly, I apologize for being late with this post. Not only have I writers block from having written something a lot like a project prospectus the first week of class, but I was laid up with the stomach flu and had missed class already too much — sorry! Here’s most of what I had written […]

Firstly, I apologize for being late with this post. Not only have I writers block from having written something a lot like a project prospectus the first week of class, but I was laid up with the stomach flu and had missed class already too much — sorry!

Here’s most of what I had written in the previous post:

[M]y research will center on the Glendi Festival in Santa Rosa. This international food festival takes place in my hometown. Put on by St. Seraphim of Sarov Orthodox Church, they serve Eastern European cuisine and provide live Balkan music. Though the festival has existed since 1989 (predating my birth), I hadn’t heard of it until just last year. I thought my Eastern European Orthodox heritage was uncelebrated by Sonoma County locals. I was dead wrong. The weekend-long festival has attendance in the thousands, which makes me think — somehow Glendi is creating the magic that makes Eastern European culture worthwhile and relevant. So far I’ve felt little pride in my heritage: my father was raised by two strict, authoritative Ukrainian-immigrant parents. True parties were not a thing, much less presents under a Christmas tree. At church, I would stand for two full hours and listen to Ukrainian chants echo through the elaborate church halls, watching my priest grandfather swing smoke and incense. It was plain to see that I was standing with nobody my own age, listening to a language never taught to me. I didn’t get it — but I sure hope to. Glendi is Greek for party, already shattering the stiff, conservative assumptions from my upbringing. Glendi understands the key ingredients that makes us come together and have a cultural celebration. They know how to establish pride, both for those involved and for onlookers. Through interviews with the church, I hope to become inspired by their love — for people, for food, for tradition, and for their own beliefs and lifestyle. I want to discover what entrances people. Why do they go?

But in addition to that, here is all that is new:

  • I have locked in my festival. I reached out and the festival has confirmed interest, stoked for the publicity, aware that the process involves interviews. They are also aware I want to get the interviews on camera.
  • I will film my interviews and cut them together into a short documentary. Given the time frame of this project, I am unsure whether I can get a perfect cut of the video by the end of the semester. For our purposes, clips that go on long will be okay.
  • My research will have three tiers:
    1. Bird’s-Eye View: Exploring the cross-pollination of Eastern European cultures. Particularly looking at the culture of party and of food. Also, from my upbringing I know there’s some politics surrounding who talks to who in Orthodox religions, so I may or may not find answers to that in my research.
    2. Medium shot: Explore Sonoma County’s history of Russian immigration.
    3. Close-up: Explore local newspaper references and coverage of Glendi over the years.
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